Alex Ogg
Freelance Writer
Counter

Alex Ogg is an author,
freelance writer, catalogue
A&R Consultant and Project
Manager.

Member of the Society
Of Authors.

Literary Agent:
James Wills
(Watson-Little)
(www.watsonlittle.com)

Books:
Independence Days:
The History of UK independent
record labels
(Published September 2009)
No More Heroes
A complete history of UK punk
1976-1980 (Cherry Red)
The Hip Hop Years
(with David Upshal)
Radiohead:
Standing At The Edge
The Men Behind Def Jam
Top Ten
(with Channel 4)
Hip Hop Lyrics: From the
Sugarhill Gang to Eminem

****************
Magazine, Newspaper, Web Articles

The Times, Classic Rock, Record
Collector, The Big Takeover (NY),
Spiral Scratch, Big Cheese,
Bearded. Music Mart, The Quietus

Sleevenotes
Over 100 artist sleevenotes, often
project-managing re-releases.
Including: Skids, The Undertones,
Buzzcocks, Monochrome Set, Eater,
New York Dolls, Marine Girls, The
Ruts, The Fall, Motorhead, Ella
Fitzgerald, Pillows & Prayers Box Set
AUTHOR OF:
CONTRIBUTOR TO MORE THAN 50 MUSIC BOOKS AND ENCYCLOPEDIAS
CD PROJECTS

HIP HOP YEARS: 5/5 (Q) 5/5 (HEAT) 8/10 (LOADED) "All have their say, thanks to Ogg's
concise, anecdotal style . . . Wherever they go, Ogg's definitive history never flinches from
following." Alexis Petredis, Q. "Fascinating, thrilling and essential reading." Paul Croughton,
Heat.

THE MEN BEHIND DEF JAM: "He can express his reservations without sounding like your
parents. which makes this the perfect primer for anyone who doesn't know why rap is the
most important musical movement of the last 25 years . . . Naturally, it's a blast from page
one." David Hutcheon, Mojo

'Enlightening study...thoroughly readable and often highly
revealing...compelling saga' Kerrang

TOP TEN: 4/5 (HEAT). 4/5 (JOCKEY SLUT). "Superb" (Joel McIver, Record Collector).
"Fantastic. Book of the month" (BUZZ) "ALex Ogg has a detailed knowledge of the vagaries
of pop music." (John Coleman What's On In London)
CLICK HERE TO READ A SAMPLE FROM THE MEN BEHIND DEF JAM
ANOTHER RECENT SAMPLE
SOME NON-MUSIC SAMPLES

BAG A GONG!
Pillows & Prayers wins 2008
Mojo Award
for Best Catalogue Release.

TVoted by a panel of MOJO and HMV
judges to recognise the best reissue
concept and package of the last 12
months. Former winners include The Fall’s
Complete Peel Sessions; Johnny Cash –
The Legend; and the Complete Motown
Singles 1966.

Nattira Festival, Iceland June 2008

Pictures from the free festival headlined
by
Bjork and Sigur Ros, as well as the
launch for Andri Snaer Magnason's
Dreamlands book

Pictures from the waterfall areas that
will be affected by the construction of
new dams to facilitate construction of
aluminium smelters.

I'll Give You My Heart,
I'll Give You My Heart
Out now: 8-CD Box Set
***** (5/5) The Times
***** (5/5) Record Collector
***** (5/5) Metro

As is the tradition with wallowing-
based box sets like
this, the booklet is
duly stuffed with
new interviews and
old music press
clippings in those
lovely old NME and
Melody Maker early
Eighties fonts (sigh...)
There are
revelations,
hindsight and hubris, anorak tidbits,
tears, regrets, mistakes made,
and, in one case, a mistake
corrected....”
(Plan B Magazine)

NEW REVIEWS
BBC Rough Trade Documentary










Lily Allen's new album












Lydia Lunch Interview











John Foxx Interview
MORE RECENT
MAGAZINE ARTICLES

Independence Days, even by the standards of author Alex Ogg’s
previous work (The Hip Hop Years, No More Heroes etc) is an
exhaustive undertaking. Collating more than 150 interviews, it
traces the story of the UK independent record label boom of the
late 70s to mid-80s. While most of the punk bands were co-opted
by major labels, a new generation of independent spirits took the
baton and revolutionised the course of popular music.

Discrete chapters cover Chiswick/Ace, Stiff, Rough Trade,
Beggars Banquet/4AD, Crass, Factory, Cherry Red and Mute.
There is also extensive coverage of Fast Product, Zoo, Clay, Small
Wonder, CNT, Industrial, Good Vibrations, Postcard and myriad
others. The smaller labels and their unique stories are also
rigorously explored. From the budget DIY of Buzzcocks and The
Desperate Bicycles to the grandiose packaging of Factory and
4AD and eventual chart dominance of Depeche Mode, the
Smiths and New Order, all the key moments are documented
through painstaking research, analysis and eyewitness accounts.
Scheming and rivalries and fiscal brinkmanship contrast with the
optimism and opportunism – and incredible diversity and quality
of music - of a decade when anything seemed possible.

Interviewees include: Geoff Travis, Daniel Miller, Ivo Watts-Russell,
Dave Robinson, Ted Carroll, Bill Drummond, Roger Armstrong,
Penny Rimbaud, Richard Boon, Martin Mills, Richard Scott Iain
McNay, Mike Stone, Mike Alway, Bob Last, Terri Hooley, Bill Gilliam,
Charlie Gillett, Miles Copeland, Seymour Stein, etc

Chapter One Edison . . . And Light Bulbs
The Early History of Independent Record Labels
Chapter Two Gatecrashers
Chiswick and Ace Records
Chapter Three So It Goes Stiff Records
Chapter Four How About Me And You?
Small Wonder, New Hormones, Step Forward
and a Cast of Thousands
Chapter Five Music Is A Better Noise
Rough Trade Records
Chapter Six Echoes In A Shallow Bay
Beggars Banquet and 4AD Records
Chapter Seven Behind The Wheel
Mute Records, Industrial, and  Electronica
Chapter Eight The Graveyard & The Ballroom
Rabid, Factory & Zoo
Chapter Nine The Sound Of Young Scotland,
Northern Ireland and Wales
Fast, Postcard, Good Vibrations and Z Block
Chapter Ten Ever Present
Cherry Red Records
Chapter Eleven Do They Owe Us A Living?
Crass, Southern, The Anarcho Punk Labels
Chapter Twelve
Get Rid Of These Things
The Cartel, its labels, and the building of an
independent infrastructure